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Saturday, September 28, 2013

151. Italian maestro Federico Fellini’s “La Strada” (The Road) (1954): Re-evaluating a neo-realist classic by reflecting on the movie’s screenplay

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A   half century after La Strada was made and widely accepted as a world classic, the film needs to be evaluated...
4 comments:
Friday, August 30, 2013

150. Italian filmmaker Ermanno Olmi’s masterpiece “L'Albero degli zoccoli” (The Tree of Wooden Clogs) (1978): An uplifting and monumental work of a cinematic genius

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E rmanno Olmi’s The Tree of Wooden Clogs, a 3-hour long feature film, won the prestigious Golden Palm and the priz...
Thursday, August 15, 2013

149. Polish director Krzysztof Kieslowski’s “Dekalog, dwa” (Dekalog 2) (1988): Absorbing cinema that provides entertainment beyond its run-time

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T here are very few examples of movies that make you scurry to the libraries to figure out...
2 comments:
Sunday, August 04, 2013

148. Argentine director Juan José Campanella’s “El secreto de sus Ojos” (The Secret in Their Eyes) (2009): Closing of open doors and revealing tales through the eyes, underscoring a visual element one often takes for granted

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V iewers of this Oscar-winning Argentinean film are likely to enjoy the experience for varied reasons. It is...
1 comment:
Saturday, July 20, 2013

147. US maestro Orson Welles’ last film ”F for Fake” (1973): The most thought-provoking film on illusion and reality from an exceptionally gifted filmmaker and intellectual

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“ Art is a lie that enables us to realize the truth ”—Pablo Picasso “ I must believ...
1 comment: